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Knight and Day

Knight and Day

Action · Comedy · 2010

A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.

Movie details

Knight and Day

“Every Hit Man Deserves a Second Shot!”

2010 Action · Comedy 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Knight and Day?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

James Mangold

Written by

Patrick O'Neill

Tom Cruise

Tom Cruise

Roy Miller

Cameron Diaz

Cameron Diaz

June Havens

Peter Sarsgaard

Peter Sarsgaard

Fitzgerald

Viola Davis

Viola Davis

CIA Director Isabel George

Jordi Mollà

Jordi Mollà

Antonio Quintana

Paul Dano

Paul Dano

Simon Feck

Maggie Grace

Maggie Grace

April Havens

Court is in session

Put Knight and Day on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.