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The Social Network

The Social Network

Drama · 2010

In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.

Movie details

The Social Network

“You don't get to 500 million friends without making a few enemies.”

2010 Drama 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Social Network?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

David Fincher

Written by

Aaron Sorkin

Jesse Eisenberg

Jesse Eisenberg

Mark Zuckerberg

Andrew Garfield

Andrew Garfield

Eduardo Saverin

Armie Hammer

Armie Hammer

Cameron Winklevoss / Tyler Winklevoss

Justin Timberlake

Justin Timberlake

Sean Parker

Rooney Mara

Rooney Mara

Erica Albright

Max Minghella

Max Minghella

Divya Narendra

Brenda Song

Brenda Song

Christy Ling

Court is in session

Put The Social Network on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.