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Splice

Splice

Horror · Science Fiction · 2010

Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.

Movie details

Splice

“She's not human...not entirely.”

2010 Horror · Science Fiction 1h 44m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Splice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Vincenzo Natali

Written by

Vincenzo Natali · Antoinette Terry Bryant · Doug Taylor

Adrien Brody

Adrien Brody

Clive

Sarah Polley

Sarah Polley

Elsa

Delphine Chanéac

Delphine Chanéac

Dren

David Hewlett

David Hewlett

Barlow

Abigail Chu

Abigail Chu

Young Dren

Stephanie Baird

Stephanie Baird

Elsa / PD

Brandon McGibbon

Brandon McGibbon

Gavin

Court is in session

Put Splice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.