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After the Storm

After the Storm

Drama · 2016

Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

Movie details

After the Storm

2016 Drama 1h 57m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over After the Storm?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Hirokazu Kore-eda

Written by

Hirokazu Kore-eda

Hiroshi Abe

Hiroshi Abe

Ryota Shinoda

Kirin Kiki

Kirin Kiki

Yoshiko Shinoda

Yoko Maki

Yoko Maki

Kyoko Shiraishi

Taiyo Yoshizawa

Taiyo Yoshizawa

Shingo Shiraishi

Satomi Kobayashi

Satomi Kobayashi

Chinatsu Nakashima

Sosuke Ikematsu

Sosuke Ikematsu

Kento Machida

Lily Franky

Lily Franky

Koichiro Yamabe

Court is in session

Put After the Storm on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.