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Party Girl

Party Girl

Comedy · Drama · Romance · 1995

Although Mary has little income, she still finds ways to spend her nights at clubs. After being arrested for throwing an illegal rave, she asks her aunt Judy for bail money. Judy then finds Mary a job at her library so that Mary can repay her. Initially, Mary finds the job as a clerk boring and stifling, and prefers to get to know a street food vendor whom she likes. However, Mary must refocus her life once she loses her job and apartment.

Movie details

Party Girl

“There's a new librarian in town!”

1995 Comedy · Drama · Romance 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Although Mary has little income, she still finds ways to spend her nights at clubs. After being arrested for throwing an illegal rave, she asks her aunt Judy for bail money. Judy then finds Mary a job at her library so that Mary can repay her. Initially, Mary finds the job as a clerk boring and stifling, and prefers to get to know a street food vendor whom she likes. However, Mary must refocus her life once she loses her job and apartment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Party Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Daisy von Scherler Mayer

Written by

Daisy von Scherler Mayer · Harry Birckmayer · Sheila Gaffney

Parker Posey

Parker Posey

Mary

Anthony DeSando

Anthony DeSando

Derrick

Guillermo Díaz

Guillermo Díaz

Leo

Donna Mitchell

Donna Mitchell

Rene

Liev Schreiber

Liev Schreiber

Nigel

Omar Townsend

Omar Townsend

Mustafa

Sasha von Scherler

Sasha von Scherler

Judy Lindendorf

Court is in session

Put Party Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.