“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The Bat
Horror · Mystery · Thriller · 1959
Mystery writer Cornelia Van Gorder has rented a country house called "The Oaks", which not long ago was the scene of some murders committed by a strange and violent criminal known as "The Bat". Meanwhile, the house's owner, bank president John Fleming, has recently embezzled one million dollars in securities and has hidden the proceeds in the house, but is killed before he can retrieve it.
The Bat
“When it flies... someone dies!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
Mystery writer Cornelia Van Gorder has rented a country house called "The Oaks", which not long ago was the scene of some murders committed by a strange and violent criminal known as "The Bat". Meanwhile, the house's owner, bank president John Fleming, has recently embezzled one million dollars in securities and has hidden the proceeds in the house, but is killed before he can retrieve it.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Bat?
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their caseThe Sentimental Softie
“You came to feel something, and you will.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Crane Wilbur
Written by
Crane Wilbur
Put The Bat on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






