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Lawn Dogs

Lawn Dogs

Drama · 1997

In the affluent, gated community of Camelot Gardens, bored wives indiscriminately sleep around while their unwitting husbands try desperately to climb the social ladder. Trent, a 21-year-old outsider who mows the neighborhood lawns, quietly observes the infidelities and hypocrisies of this overly privileged society. When Devon, a 10-year-old daughter from one family, forges a friendship with Trent, things suddenly get very complicated.

Movie details

Lawn Dogs

“Innocence is a dangerous friend.”

1997 Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

In the affluent, gated community of Camelot Gardens, bored wives indiscriminately sleep around while their unwitting husbands try desperately to climb the social ladder. Trent, a 21-year-old outsider who mows the neighborhood lawns, quietly observes the infidelities and hypocrisies of this overly privileged society. When Devon, a 10-year-old daughter from one family, forges a friendship with Trent, things suddenly get very complicated.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lawn Dogs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Duigan

Written by

Naomi Wallace

Sam Rockwell

Sam Rockwell

Trent Burns

Mischa Barton

Mischa Barton

Devon Stockard

Christopher McDonald

Christopher McDonald

Morton Stockard

Kathleen Quinlan

Kathleen Quinlan

Clare Stockard

Bruce McGill

Bruce McGill

Nash

David Barry Gray

David Barry Gray

Brett

Eric Mabius

Eric Mabius

Sean

Court is in session

Put Lawn Dogs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.