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Roujin Z

Roujin Z

Animation · Drama · Science Fiction · 1991

Mr. Takazawa, an elderly invalid who is cared for at his home by Haruko, a young nursing student, is chosen by the Japanese Ministry of Public Welfare to test the Z-001, a computerized hospital bed with robotic features that allegedly displays more efficiency and skills than any human nurse, but Haruko mistrusts a machine unable to consider human feelings.

Movie details

Roujin Z

1991 Animation · Drama · Science Fiction 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Mr. Takazawa, an elderly invalid who is cared for at his home by Haruko, a young nursing student, is chosen by the Japanese Ministry of Public Welfare to test the Z-001, a computerized hospital bed with robotic features that allegedly displays more efficiency and skills than any human nurse, but Haruko mistrusts a machine unable to consider human feelings.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Roujin Z?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hiroyuki Kitakubo

Written by

Katsuhiro Otomo

Chisa Yokoyama

Chisa Yokoyama

Haruko Mitsuhashi (voice)

H

Hikojiro Matsumura

Kijuro Takazawa (voice)

Chie Sato

Chie Sato

Nobuko Ohe (voice)

Koji Tsujitani

Koji Tsujitani

Mitsuru Maeda (voice)

S

Sho Saito

Haru Takazawa / Z-001 (voice)

Rica Matsumoto

Rica Matsumoto

Satō Tomoe (voice)

Ryuji Saikachi

Ryuji Saikachi

Ache A (voice)

Court is in session

Put Roujin Z on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.