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Tallulah

Tallulah

Drama · Comedy · 2016

Desperate to be rid of her toddler, a dissatisfied Beverly Hills housewife hires a stranger to babysit and ends up getting much more than she bargained for.

Movie details

Tallulah

“Life can be a real mother.”

2016 Drama · Comedy 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Desperate to be rid of her toddler, a dissatisfied Beverly Hills housewife hires a stranger to babysit and ends up getting much more than she bargained for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tallulah?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Thousand and One

A Thousand and One

Drama · 2023

Struggling but unapologetically living on her own terms, Inez is moving from shelter to shelter in mid-1990s New York City. With her 6-year-old son Terry in foster care and unable to leave him again, she kidnaps him so they can build their life together. As the years go by, their family grows and Terry becomes a smart yet quiet teenager, but the secret that has defined their lives threatens to destroy the home they have so improbably built.

Where it lives

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Names above the title

The people responsible.

Directed by

Sian Heder

Written by

Sian Heder

Elliot Page

Elliot Page

Tallulah

Allison Janney

Allison Janney

Margo

Tammy Blanchard

Tammy Blanchard

Carolyn

Evan Jonigkeit

Evan Jonigkeit

Nico

Uzo Aduba

Uzo Aduba

Louisa Kinnie

David Zayas

David Zayas

Detective Richards

John Benjamin Hickey

John Benjamin Hickey

Stephen

Court is in session

Put Tallulah on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.