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Alice's Adventures in Wonderland

Alice's Adventures in Wonderland

Family · Fantasy · Music · 1972

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

Movie details

Alice's Adventures in Wonderland

“Made in Wonderland, the most magical musical of all!”

1972 Family · Fantasy · Music 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Alice's Adventures in Wonderland?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Alice in Wonderland

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Alice follows a white rabbit down a rabbit-hole into a whimsical Wonderland, where she meets characters like the delightful Cheshire Cat, the clumsy White Knight, a rude caterpillar, and the hot-tempered Queen of Hearts and can grow ten feet tall or shrink to three inches. But will she ever be able to return home?

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Names above the title

The people responsible.

Directed by

William Sterling

Written by

William Sterling

Fiona Fullerton

Fiona Fullerton

Alice

Michael Crawford

Michael Crawford

White Rabbit

Robert Helpmann

Robert Helpmann

The Mad Hatter

Peter Sellers

Peter Sellers

The March Hare

Spike Milligan

Spike Milligan

Gryphon

Michael Jayston

Michael Jayston

Lewis Carroll (Charles Dodgson)

Hywel Bennett

Hywel Bennett

Duckworth

Court is in session

Put Alice's Adventures in Wonderland on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.