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The Million Pound Note

The Million Pound Note

Comedy · 1954

An impoverished American sailor is fortunate enough to be passing the house of two rich gentlemen who have conceived the crazy idea of distributing a note worth one million pounds. The sailor finds that whenever he tries to use the note to buy something, people treat him like a king and let him have whatever he likes for free. Ultimately, the money proves to be more troublesome than it is worth when it almost costs him his dignity and the woman he loves.

Movie details

The Million Pound Note

“Great fun... you can bank on it!”

1954 Comedy 1h 30m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

An impoverished American sailor is fortunate enough to be passing the house of two rich gentlemen who have conceived the crazy idea of distributing a note worth one million pounds. The sailor finds that whenever he tries to use the note to buy something, people treat him like a king and let him have whatever he likes for free. Ultimately, the money proves to be more troublesome than it is worth when it almost costs him his dignity and the woman he loves.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Million Pound Note?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ronald Neame

Written by

Jill Craigie · Mark Twain

Gregory Peck

Gregory Peck

Henry Adams

Ronald Squire

Ronald Squire

Oliver Montpelier

Joyce Grenfell

Joyce Grenfell

Duchess of Cromarty

A.E. Matthews

A.E. Matthews

Duke of Frognal

Maurice Denham

Maurice Denham

Jonathan Reid

Reginald Beckwith

Reginald Beckwith

Rock

Brian Oulton

Brian Oulton

Lloyd

Court is in session

Put The Million Pound Note on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.