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Paris Blues

Paris Blues

Romance · Drama · Music · 1961

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Movie details

Paris Blues

“A love-spectacular so personally exciting, you feel it's happening to you!”

1961 Romance · Drama · Music 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Paris Blues?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Mo' Better Blues

Mo' Better Blues

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Talented but self-centered trumpeter Bleek Gilliam is obsessed with his music and indecisiveness about his girlfriends Indigo and Clarke. But when he is forced to come to the aid of his manager and childhood friend, Bleek finds his world more fragile than he ever imagined.

Where it lives

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Names above the title

The people responsible.

Directed by

Martin Ritt

Written by

Jack Sher · Irene Kamp · Walter Bernstein

Paul Newman

Paul Newman

Ram Bowen

Joanne Woodward

Joanne Woodward

Lillian Corning

Sidney Poitier

Sidney Poitier

Eddie Cook

Diahann Carroll

Diahann Carroll

Connie Lampson

Louis Armstrong

Louis Armstrong

Wild Man Moore

Barbara Laage

Barbara Laage

Marie Séoul

André Luguet

André Luguet

René Bernard

Court is in session

Put Paris Blues on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.