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Millennium Actress

Millennium Actress

Animation · Drama · Romance · 2002

Documentary filmmaker Genya Tachibana has tracked down the legendary actress Chiyoko Fujiwara, who mysteriously vanished at the height of her career. When he presents her with a key she had lost and thought was gone forever, the filmmaker could not have imagined that it would not only unlock the long-held secrets of Chiyoko’s life... but also his own.

Movie details

Millennium Actress

“The magic of movies, the mystery of memory.”

2002 Animation · Drama · Romance 1h 27m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

Documentary filmmaker Genya Tachibana has tracked down the legendary actress Chiyoko Fujiwara, who mysteriously vanished at the height of her career. When he presents her with a key she had lost and thought was gone forever, the filmmaker could not have imagined that it would not only unlock the long-held secrets of Chiyoko’s life... but also his own.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Millennium Actress?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Satoshi Kon

Written by

Satoshi Kon · Sadayuki Murai

Miyoko Shoji

Miyoko Shoji

Chiyoko Fujiwara (70's) (voice)

Mami Koyama

Mami Koyama

Chiyoko Fujiwara (20-40's) (voice)

Fumiko Orikasa

Fumiko Orikasa

Chiyoko Fujiwara (10-20's) (voice)

Showko Tsuda

Showko Tsuda

Eiko Shimao (voice)

Shozo Iizuka

Shozo Iizuka

Genya Tachibana (voice)

Masaya Onosaka

Masaya Onosaka

Kyouji Ida (voice)

Masane Tsukayama

Masane Tsukayama

The Man with the Scar (voice)

Court is in session

Put Millennium Actress on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.