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Deadly Friend

Deadly Friend

Horror · Science Fiction · 1986

When tragedy strikes his remarkable robot and the beautiful girl next door, lonely teenage genius Paul tries to save them by pushing technology beyond its known limits into a terrifying new realm.

Movie details

Deadly Friend

“There's no one alive who'll play with the girl next door.”

1986 Horror · Science Fiction 1h 31m

Critical arithmetic

The consensus, allegedly.

IMDb

5.6 / 10

9.5K votes

Rotten Tomatoes

19 %

Tomatometer

Metacritic

44 / 100

Metascore

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When tragedy strikes his remarkable robot and the beautiful girl next door, lonely teenage genius Paul tries to save them by pushing technology beyond its known limits into a terrifying new realm.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Deadly Friend?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Wes Craven

Written by

Bruce Joel Rubin

Matthew Labyorteaux

Matthew Labyorteaux

Paul

Kristy Swanson

Kristy Swanson

Samantha

Michael Sharrett

Michael Sharrett

Tom

Anne Twomey

Anne Twomey

Jeannie

Anne Ramsey

Anne Ramsey

Elvira

Richard Marcus

Richard Marcus

Harry

Russ Marin

Russ Marin

Dr. Johanson

Court is in session

Put Deadly Friend on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.