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Jeremiah

Jeremiah

Adventure · Drama · TV Movie · 1998

The young Jeremiah grows up in a priest's family in the village of Anathoth, near Jerusalem. God appears to Jeremiah in different human guises on several occasions, and makes it clear that he has been selected to announce God's message to the people of Jerusalem.

Movie details

Jeremiah

1998 Adventure · Drama · TV Movie 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The young Jeremiah grows up in a priest's family in the village of Anathoth, near Jerusalem. God appears to Jeremiah in different human guises on several occasions, and makes it clear that he has been selected to announce God's message to the people of Jerusalem.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jeremiah?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Harry Winer

Written by

Harry Winer

Patrick Dempsey

Patrick Dempsey

Jeremiah

Oliver Reed

Oliver Reed

General Safan

Klaus Maria Brandauer

Klaus Maria Brandauer

King Nebuchadnezzar

Leonor Varela

Leonor Varela

Judith

Anna Maguire

Anna Maguire

Young Girl

Anita Zagaria

Anita Zagaria

Jeremiah's Mother

Vincent Regan

Vincent Regan

King Sedecia

Court is in session

Put Jeremiah on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.