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A Zed & Two Noughts

A Zed & Two Noughts

Comedy · Drama · 1985

Identical twin zoologists lose their wives in a car crash caused by a white swan. They become obsessed with the death and decay of animals, and develop a strange and unusual relationship with the driver of the car, a woman who is now an amputee.

Movie details

A Zed & Two Noughts

1985 Comedy · Drama 1h 56m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Identical twin zoologists lose their wives in a car crash caused by a white swan. They become obsessed with the death and decay of animals, and develop a strange and unusual relationship with the driver of the car, a woman who is now an amputee.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Zed & Two Noughts?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Peter Greenaway

Written by

Peter Greenaway

Frances Barber

Frances Barber

Venus de Milo

Joss Ackland

Joss Ackland

Van Hoyten

Brian Deacon

Brian Deacon

Oswald Deuce

Geoffrey Palmer

Geoffrey Palmer

Fallast

Eric Deacon

Eric Deacon

Oliver Deuce

Andréa Ferréol

Andréa Ferréol

Alba Bewick

Jim Davidson

Jim Davidson

Joshua Plate

Court is in session

Put A Zed & Two Noughts on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.