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Gigantis, the Fire Monster

Gigantis, the Fire Monster

Action · Horror · Science Fiction · 1959

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.

Movie details

Gigantis, the Fire Monster

“Nothing like it ever before! The fantastic war of the giant fire monsters!”

1959 Action · Horror · Science Fiction 1h 18m

Critical arithmetic

The consensus, allegedly.

IMDb

4.2 / 10

212 votes

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gigantis, the Fire Monster?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Hugo Grimaldi · Motoyoshi Oda

Written by

Hugo Grimaldi · Shigeaki Hidaka · Takeo Murata

Hiroshi Koizumi

Hiroshi Koizumi

Tsukioka

Setsuko Wakayama

Setsuko Wakayama

Hidemi

Minoru Chiaki

Minoru Chiaki

Kobayashi (as Mindru Chiaki)

Takashi Shimura

Takashi Shimura

Dr. Yamane

Masao Shimizu

Masao Shimizu

Dr. Tadokoro

Seijirô Onda

Seijirô Onda

Commander (as Serjiro Onda)

Sonosuke Sawamura

Sonosuke Sawamura

Shibeki

Court is in session

Put Gigantis, the Fire Monster on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Prestige Tourist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.