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Bite the Bullet

Bite the Bullet

Western · Adventure · 1975

At the beginning of the 20th century, a newspaper organizes an endurance horse race : 700 miles to run in a few days. 9 adventurers are competing, among them a woman, Miss Jones, a Mexican, an Englishman, a young cow-boy, an old one and two friends, Sam Clayton and Luke Matthews. All those individualists will learn to respect each other.

Movie details

Bite the Bullet

1975 Western · Adventure 2h 12m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

At the beginning of the 20th century, a newspaper organizes an endurance horse race : 700 miles to run in a few days. 9 adventurers are competing, among them a woman, Miss Jones, a Mexican, an Englishman, a young cow-boy, an old one and two friends, Sam Clayton and Luke Matthews. All those individualists will learn to respect each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bite the Bullet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Brooks

Written by

Richard Brooks

Gene Hackman

Gene Hackman

Sam Clayton

Candice Bergen

Candice Bergen

Miss Jones

James Coburn

James Coburn

Luke Matthews

Ben Johnson

Ben Johnson

Mister

Ian Bannen

Ian Bannen

Sir Harry Norfolk

Jan-Michael Vincent

Jan-Michael Vincent

Carbo

Dabney Coleman

Dabney Coleman

Jack Parker

Court is in session

Put Bite the Bullet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.