The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Steve Jobs
Drama · History · 2015
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
Movie details
Steve Jobs
“Can a great man be a good man?”
2015 Drama · History 2h 2m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Steve Jobs?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Danny Boyle
Written by
Aaron Sorkin
Michael Fassbender
Steve Jobs
Kate Winslet
Joanna Hoffman
Seth Rogen
Steve Wozniak
Jeff Daniels
John Sculley
Michael Stuhlbarg
Andy Hertzfeld
Katherine Waterston
Chrisann Brennan
Perla Haney-Jardine
Lisa Brennan (19)
Court is in session
Put Steve Jobs on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.