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The Young Messiah

The Young Messiah

Drama · 2016

Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.

Movie details

The Young Messiah

“Before he was the savior, he was a child.”

2016 Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Young Messiah?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Holy Lands

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When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

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Names above the title

The people responsible.

Directed by

Cyrus Nowrasteh

Written by

Cyrus Nowrasteh · Betsy Giffen Nowrasteh

A

Adam Greaves-Neal

Jesus

Sara Lazzaro

Sara Lazzaro

Mary

Vincent Walsh

Vincent Walsh

Joseph

Sean Bean

Sean Bean

Severus

Jonathan Bailey

Jonathan Bailey

Herod

Isabelle Adriani

Isabelle Adriani

Seleni

Rory Keenan

Rory Keenan

The Demon

Court is in session

Put The Young Messiah on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.