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The Incredible Shrinking Man

The Incredible Shrinking Man

Science Fiction · Horror · 1957

A dangerous combination of radiation and insecticide causes the unfortunate Scott Carey to shrink, slowly but surely, until he is only a few inches tall. His home becomes a wilderness where he must survive everything from spiders living in the cellar to his beloved cat.

Movie details

The Incredible Shrinking Man

“A fascinating adventure into the unknown!”

1957 Science Fiction · Horror 1h 21m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

A dangerous combination of radiation and insecticide causes the unfortunate Scott Carey to shrink, slowly but surely, until he is only a few inches tall. His home becomes a wilderness where he must survive everything from spiders living in the cellar to his beloved cat.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Incredible Shrinking Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jack Arnold

Written by

Richard Matheson · Richard Alan Simmons

Grant Williams

Grant Williams

Scott Carey

Randy Stuart

Randy Stuart

Louise Carey

April Kent

April Kent

Clarice Bruce

Paul Langton

Paul Langton

Charlie Carey

Raymond Bailey

Raymond Bailey

Doctor Thomas Silver

William Schallert

William Schallert

Doctor Arthur Bramson

Frank J. Scannell

Frank J. Scannell

Barker

Court is in session

Put The Incredible Shrinking Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.