“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The Throne
Drama · History · 2015
Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.
The Throne
“The ways of a royal household.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
7.1 / 10
3.4K votes
TMDB
7.1 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Throne?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Lee Joon-ik
Written by
Oh Seung-hyeon · Lee Song-won · Cho Chul-hyun
Put The Throne on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






