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Richard III

Richard III

Drama · War · 1995

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

Movie details

Richard III

“I can smile, and murder while I smile”

1995 Drama · War 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Richard III?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Loncraine

Written by

Richard Loncraine · Ian McKellen

Ian McKellen

Ian McKellen

Richard III

Annette Bening

Annette Bening

Queen Elizabeth

Jim Broadbent

Jim Broadbent

The Duke of Buckingham

Robert Downey Jr.

Robert Downey Jr.

Earl Rivers

Kristin Scott Thomas

Kristin Scott Thomas

Lady Anne

Adrian Dunbar

Adrian Dunbar

James Tyrrell

Maggie Smith

Maggie Smith

Duchess of York

Court is in session

Put Richard III on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.