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Lupin the Third: Bye Bye, Lady Liberty

Lupin the Third: Bye Bye, Lady Liberty

Action · Animation · Comedy · 1989

Foiled repeatedly by the predictions of Interpol's supercomputer, Lupin has settled down. His partner Jigen asks him to pull one last heist: recover the Super Egg, a massive diamond hidden somewhere inside the Statue of Liberty.

Movie details

Lupin the Third: Bye Bye, Lady Liberty

“New York City is in crisis. Is this goodbye for Lady Liberty?”

1989 Action · Animation · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Foiled repeatedly by the predictions of Interpol's supercomputer, Lupin has settled down. His partner Jigen asks him to pull one last heist: recover the Super Egg, a massive diamond hidden somewhere inside the Statue of Liberty.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lupin the Third: Bye Bye, Lady Liberty?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Osamu Dezaki

Yasuo Yamada

Yasuo Yamada

Arsène Lupin III (voice)

Kiyoshi Kobayashi

Kiyoshi Kobayashi

Daisuke Jigen (voice)

Eiko Masuyama

Eiko Masuyama

Fujiko Mine (voice)

Makio Inoue

Makio Inoue

Goemon Ishikawa XIII (voice)

Gorō Naya

Gorō Naya

Inspector Koichi Zenigata (voice)

Y

Yui Komazuka

Isabel (voice)

Mayumi Tanaka

Mayumi Tanaka

Micheal (voice)

Court is in session

Put Lupin the Third: Bye Bye, Lady Liberty on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.