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Seance on a Wet Afternoon

Seance on a Wet Afternoon

Crime · Thriller · Drama · 1964

Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.

Movie details

Seance on a Wet Afternoon

“Was it magic... Or murder they planned?”

1964 Crime · Thriller · Drama 1h 56m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Seance on a Wet Afternoon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Number 23

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Eastern Promises

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Where it lives

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Names above the title

The people responsible.

Directed by

Bryan Forbes

Written by

Bryan Forbes

Kim Stanley

Kim Stanley

Myra

Richard Attenborough

Richard Attenborough

Bill

Margaret Lacey

Margaret Lacey

Woman at first Seance

Marie Burke

Marie Burke

Woman at first Seance

M

Maria Kazan

Woman at first Seance

L

Lionel Gamlin

Man at Seances

Marian Spencer

Marian Spencer

Mrs. Wintry

Court is in session

Put Seance on a Wet Afternoon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.