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My Darling Clementine

My Darling Clementine

Western · 1946

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

Movie details

My Darling Clementine

“She was everything the West was - young, fiery, exciting!”

1946 Western 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Darling Clementine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

Fort Apache

Fort Apache

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Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

Warlock

Warlock

Western · 1959

A band of murderous cowboys has imposed a reign of terror on the town of Warlock. With the sheriff humiliatingly run out of town, the residents hire the services of Clay Blaisedell as de facto town marshal. He arrives along with his friend, Tom Morgan, and sets about restoring law and order on his own terms whilst also overseeing the establishment of a gambling house and saloon.

Rio Bravo

Rio Bravo

Western · 1959

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Quigley Down Under

Quigley Down Under

Western · 1990

American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.

Chisum

Chisum

Western · 1970

Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.

Wyatt Earp

Wyatt Earp

Western · 1994

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.

Chato's Land

Chato's Land

Western · 1972

In 1870s New Mexico, a half-breed kills a bigoted sheriff in self-defense but the posse that eventually hunts him finds itself in dangerous territory.

Hour of the Gun

Hour of the Gun

Western · 1967

Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.

Where it lives

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Names above the title

The people responsible.

Directed by

John Ford

Written by

Samuel G. Engel · Winston Miller · Sam Hellman

Henry Fonda

Henry Fonda

Wyatt Earp

Linda Darnell

Linda Darnell

Chihuahua

Victor Mature

Victor Mature

Dr. John 'Doc' Holliday

Cathy Downs

Cathy Downs

Clementine Carter

Walter Brennan

Walter Brennan

Old Man Clanton

Tim Holt

Tim Holt

Virgil Earp

Ward Bond

Ward Bond

Morgan Earp

Court is in session

Put My Darling Clementine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.