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Cahill: United States Marshal

Cahill: United States Marshal

Drama · Western · 1973

J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to rob a bank. They end up getting more than they bargained for.

Movie details

Cahill: United States Marshal

“A lawman and his sons face the ultimate test of courage.”

1973 Drama · Western 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to rob a bank. They end up getting more than they bargained for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cahill: United States Marshal?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honorable U.S. Marshal.

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Names above the title

The people responsible.

Directed by

Andrew V. McLaglen

Written by

Harry Julian Fink · Rita M. Fink · Barney Slater

John Wayne

John Wayne

J.D. Cahill

George Kennedy

George Kennedy

Abe Fraser

Gary Grimes

Gary Grimes

Daniel "Danny" Cahill

Neville Brand

Neville Brand

Lightfoot

Clay O'Brien

Clay O'Brien

Billy Joe Cahill

Marie Windsor

Marie Windsor

Mrs. Hetty Green

Morgan Paull

Morgan Paull

Struther

Court is in session

Put Cahill: United States Marshal on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Patience is part of the point.”

Duration becomes texture. The film asks you to inhabit its world instead of merely processing its plot.

The prosecution The Adrenaline Seeker

“A test of endurance, your honour.”

Stillness keeps submitting itself as meaning. At some point, contemplation needs something worth contemplating.