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The Miracle Maker

The Miracle Maker

Animation · Family · Drama · 2000

A mother and father in search of help for their sick daughter cross paths with an extraordinary carpenter named Jesus, who has devoted his life to spreading God's word. An amazing miracle brings to light the true meaning of Christ, and the sacrifices he endured for the deliverance of mankind. A compelling story of faith, trust, and devotion.

Movie details

The Miracle Maker

“A visually stunning animation of the greatest story ever told.”

2000 Animation · Family · Drama 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A mother and father in search of help for their sick daughter cross paths with an extraordinary carpenter named Jesus, who has devoted his life to spreading God's word. An amazing miracle brings to light the true meaning of Christ, and the sacrifices he endured for the deliverance of mankind. A compelling story of faith, trust, and devotion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Miracle Maker?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Derek W. Hayes · Stanislav Sokolov

Written by

Murray Watts

Ralph Fiennes

Ralph Fiennes

Jesus (voice)

Michael Bryant

Michael Bryant

God/ The Doctor (voice)

Julie Christie

Julie Christie

Rachel (voice)

Rebecca Callard

Rebecca Callard

Tamar (voice)

James Frain

James Frain

Thomas (voice)

Richard E. Grant

Richard E. Grant

John The Baptist (voice)

Ian Holm

Ian Holm

Pontius Pilate (voice)

Court is in session

Put The Miracle Maker on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.