Back to trending
Beverly Hills Cop III

Beverly Hills Cop III

Action · Comedy · Crime · 1994

When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.

Movie details

Beverly Hills Cop III

“In for the ride of his life.”

1994 Action · Comedy · Crime 1h 45m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Beverly Hills Cop III?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Landis

Written by

Steven E. de Souza

Eddie Murphy

Eddie Murphy

Axel Foley

Judge Reinhold

Judge Reinhold

Billy Rosewood

Héctor Elizondo

Héctor Elizondo

Jon Flint

Timothy Carhart

Timothy Carhart

Ellis DeWald

John Saxon

John Saxon

Orrin Sanderson

Jon Tenney

Jon Tenney

Levine

Joey Travolta

Joey Travolta

Giolito

Court is in session

Put Beverly Hills Cop III on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Auteur Devotee

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.