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Biggie & Tupac

Biggie & Tupac

Music · Documentary · 2002

In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.

Movie details

Biggie & Tupac

2002 Music · Documentary 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Biggie & Tupac?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nick Broomfield

Tupac Shakur

Tupac Shakur

himself

Nick Broomfield

Nick Broomfield

himself

The Notorious B.I.G.

The Notorious B.I.G.

Himself (archive footage)

R

Russell Poole

Himself

Voletta Wallace

Voletta Wallace

Self - Biggie's Mother

B

Billy Garland

Self - Tupac's Biological Father

C

Chico Del Vec

Self - Rapper

Court is in session

Put Biggie & Tupac on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Adrenaline Seeker

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.