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The Red Spectacles

The Red Spectacles

Science Fiction · Mystery · Crime · 1987

Summer 1995. With the arrival of the "Age of Cats", the former Kerberos police unit is now disbanded. However one member remains, a stray dog who returns to his old roost after a three-years exile. This wild dog no longer has a master, but now the "Young Lady of Fate" will guide him on his journey.

Movie details

The Red Spectacles

“What dream are you welcoming?”

1987 Science Fiction · Mystery · Crime 1h 56m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

873 votes

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Summer 1995. With the arrival of the "Age of Cats", the former Kerberos police unit is now disbanded. However one member remains, a stray dog who returns to his old roost after a three-years exile. This wild dog no longer has a master, but now the "Young Lady of Fate" will guide him on his journey.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Red Spectacles?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mamoru Oshii

Written by

Kazunori Ito · Mamoru Oshii

Shigeru Chiba

Shigeru Chiba

Koichi Todome

Machiko Washio

Machiko Washio

Midori Washio

Hideyuki Tanaka

Hideyuki Tanaka

Soichiro Toribe

Tessyo Genda

Tessyo Genda

Bunmei Muroto

Mako Hyodo

Mako Hyodo

Young Lady

Yasuo Otsuka

Yasuo Otsuka

Taxi Driver

H

Hirô Oikawa

Hotel Receptionist

Court is in session

Put The Red Spectacles on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.