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A Tree Grows in Brooklyn

A Tree Grows in Brooklyn

Drama · 1945

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.

Movie details

A Tree Grows in Brooklyn

“Each heart-warming character comes alive on the screen!”

1945 Drama 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Tree Grows in Brooklyn?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Elia Kazan

Written by

Tess Slesinger · Frank Davis

Dorothy McGuire

Dorothy McGuire

Katie Nolan

Joan Blondell

Joan Blondell

Aunt Sissy

James Dunn

James Dunn

Johnny Nolan

Lloyd Nolan

Lloyd Nolan

Officer McShane

James Gleason

James Gleason

McGarrity

Ted Donaldson

Ted Donaldson

Neeley Nolan

Peggy Ann Garner

Peggy Ann Garner

Francie Nolan

Court is in session

Put A Tree Grows in Brooklyn on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.