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The Dressmaker

The Dressmaker

Drama · Comedy · 2015

In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. As she tries to reconcile with her mother, she starts to fall in love while transforming the fashion of the town.

Movie details

The Dressmaker

“Revenge is back in fashion.”

2015 Drama · Comedy 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. As she tries to reconcile with her mother, she starts to fall in love while transforming the fashion of the town.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Dressmaker?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jocelyn Moorhouse

Written by

Jocelyn Moorhouse · P.J. Hogan

Kate Winslet

Kate Winslet

Myrtle "Tilly" Dunnage

Liam Hemsworth

Liam Hemsworth

Teddy McSwiney

Caroline Goodall

Caroline Goodall

Elsbeth Beaumont

Judy Davis

Judy Davis

Molly Dunnage

Hayley Magnus

Hayley Magnus

Prudence

Hugo Weaving

Hugo Weaving

Sergeant Farrat

Sarah Snook

Sarah Snook

Gertrude "Trudy" Pratt

Court is in session

Put The Dressmaker on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.