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Get Crazy

Get Crazy

Comedy · Music · 1983

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

Movie details

Get Crazy

“It was the greatest rock event ever... until the place EXPLODED!”

1983 Comedy · Music 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Get Crazy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Allan Arkush

Written by

Henry Rosenbaum · Danny Opatoshu · David Taylor

Malcolm McDowell

Malcolm McDowell

Reggie Wanker

Allen Garfield

Allen Garfield

Max Wolfe

Daniel Stern

Daniel Stern

Neil Allen

Gail Edwards

Gail Edwards

Willy Loman

Miles Chapin

Miles Chapin

Sammy Fox

Ed Begley Jr.

Ed Begley Jr.

Colin Beverly

Stacey Nelkin

Stacey Nelkin

Susie Allen

Court is in session

Put Get Crazy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.