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Trucker

Trucker

Drama · 2008

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Movie details

Trucker

“Some Things in life you can't leave behind”

2008 Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trucker?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

James Mottern

Written by

James Mottern

Michelle Monaghan

Michelle Monaghan

Diane Ford

Nathan Fillion

Nathan Fillion

Runner

Benjamin Bratt

Benjamin Bratt

Leonard Bonner

Joey Lauren Adams

Joey Lauren Adams

Jenny Bell

Jimmy Bennett

Jimmy Bennett

Peter

Bryce Johnson

Bryce Johnson

Rick

B

Brandon Hanson

Tommy

Court is in session

Put Trucker on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.