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High Life

High Life

Comedy · Crime · 2009

It's 1983, and hopeless junkie Dick gets an unwelcome visit from the past - his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.

Movie details

High Life

2009 Comedy · Crime 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

It's 1983, and hopeless junkie Dick gets an unwelcome visit from the past - his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over High Life?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tango & Cash

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Knockaround Guys

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Names above the title

The people responsible.

Directed by

Gary Yates

Written by

Lee MacDougall · Gary Yates

Timothy Olyphant

Timothy Olyphant

Dick

Stephen Eric McIntyre

Stephen Eric McIntyre

Bug

Rossif Sutherland

Rossif Sutherland

Billy

Joe Anderson

Joe Anderson

Donnie

Mike Bell

Mike Bell

Moondog

J

Jon Ted Wynne

Strung-Out Doctor

Steven Ratzlaff

Steven Ratzlaff

Prison Guard

Court is in session

Put High Life on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.