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The Three Musketeers

The Three Musketeers

Action · Adventure · Romance · 1973

In 17th century France, young D'Artagnan wants to join the King's Musketeers, but instead befriends three legendary musketeers—Athos, Porthos, and Aramis—and together, they become embroiled in the political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.

Movie details

The Three Musketeers

“. . . One for All and All for Fun!”

1973 Action · Adventure · Romance 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

21.7K votes

Rotten Tomatoes

90 %

Tomatometer

Metacritic

77 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 17th century France, young D'Artagnan wants to join the King's Musketeers, but instead befriends three legendary musketeers—Athos, Porthos, and Aramis—and together, they become embroiled in the political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Three Musketeers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Lester

Written by

George MacDonald Fraser

Michael York

Michael York

D'Artagnan

Oliver Reed

Oliver Reed

Athos

Richard Chamberlain

Richard Chamberlain

Aramis

Frank Finlay

Frank Finlay

Porthos / O'Reilly

Faye Dunaway

Faye Dunaway

Lady de Winter

Raquel Welch

Raquel Welch

Constance de Bonancieux

Christopher Lee

Christopher Lee

Rochefort

Court is in session

Put The Three Musketeers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.