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Big Fan

Big Fan

Comedy · Drama · Crime · 2009

Paul Aufiero, a 35-year-old parking-garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan". One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station and decide to follow him. At a strip club Paul cautiously decides to approach him but the chance encounter brings Paul's world crashing down around him.

Movie details

Big Fan

2009 Comedy · Drama · Crime 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Paul Aufiero, a 35-year-old parking-garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan". One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station and decide to follow him. At a strip club Paul cautiously decides to approach him but the chance encounter brings Paul's world crashing down around him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Big Fan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert D. Siegel

Written by

Robert D. Siegel

Patton Oswalt

Patton Oswalt

Paul Aufiero

Kevin Corrigan

Kevin Corrigan

Sal

Michael Rapaport

Michael Rapaport

Philadelphia Phil

Marcia Jean Kurtz

Marcia Jean Kurtz

Paul's Mom

S

Serafina Fiore

Gina Aufiero

Gino Cafarelli

Gino Cafarelli

Jeff Aufiero

J

Jonathan Hamm

Quantrell Bishop

Court is in session

Put Big Fan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Adrenaline Seeker

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.