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Eating Raoul

Eating Raoul

Comedy · Crime · 1982

A prudish married couple feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to both rid themselves of the “perverts” down the hall and simultaneously realize their dream of opening a restaurant.

Movie details

Eating Raoul

“A tasty comedy of bad manners.”

1982 Comedy · Crime 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A prudish married couple feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to both rid themselves of the “perverts” down the hall and simultaneously realize their dream of opening a restaurant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Eating Raoul?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Don't Be a Menace to South Central While Drinking Your Juice in the Hood

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Names above the title

The people responsible.

Directed by

Paul Bartel

Written by

Richard Blackburn · Paul Bartel

Paul Bartel

Paul Bartel

Paul Bland

Mary Woronov

Mary Woronov

Mary Bland

Robert Beltran

Robert Beltran

Raoul Mendoza

S

Susan Saiger

Doris the Dominatrix / Nurse Sally Cummings

Richard Paul

Richard Paul

Mr. Cray

J

John Shearin

Mr. Baker

D

Darcy Pulliam

Nurse Sheila

Court is in session

Put Eating Raoul on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.