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Fallen

Fallen

Drama · Fantasy · Romance · 2016

Lucinda Price is sent to a reform academy under the assumption that she has killed a boy. There, she meets two mysterious boys, Cam and Daniel, to whom she feels drawn to both. But as the love triangle unfurls, it is Daniel that Luce cannot keep herself away from, and things begin to take a darker turn when she finds out his true identity.

Movie details

Fallen

“Some angels are destined to fall.”

2016 Drama · Fantasy · Romance 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Lucinda Price is sent to a reform academy under the assumption that she has killed a boy. There, she meets two mysterious boys, Cam and Daniel, to whom she feels drawn to both. But as the love triangle unfurls, it is Daniel that Luce cannot keep herself away from, and things begin to take a darker turn when she finds out his true identity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fallen?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A car accident and shifting affections test the bond between a married couple.

Great Expectations

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Drama · 2012

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Northfork

Northfork

Fantasy · 2003

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Names above the title

The people responsible.

Directed by

Scott Hicks

Written by

Kathryn Price · Nichole Millard · Michael Arlen Ross

Addison Timlin

Addison Timlin

Lucinda Price

Jeremy Irvine

Jeremy Irvine

Daniel Grigori

Juliet Aubrey

Juliet Aubrey

Doreen Price

Harrison Gilbertson

Harrison Gilbertson

Cam Briel

Lola Kirke

Lola Kirke

Penn Van-Syckle Lockwood

Hermione Corfield

Hermione Corfield

Gabrielle Givens

Daisy Head

Daisy Head

Arriane Alter

Court is in session

Put Fallen on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.