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The Messenger

The Messenger

Drama · Romance · War · 2009

Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone, to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson, to whom he has delivered news of her husband’s death.

Movie details

The Messenger

“The Scars of War Will Last Forever.”

2009 Drama · Romance · War 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone, to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson, to whom he has delivered news of her husband’s death.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Messenger?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Stop-Loss

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Cold Mountain

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Where it lives

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Names above the title

The people responsible.

Directed by

Oren Moverman

Written by

Alessandro Camon · Oren Moverman

Ben Foster

Ben Foster

Will Montgomery

Woody Harrelson

Woody Harrelson

Tony Stone

Jena Malone

Jena Malone

Kelly

Eamonn Walker

Eamonn Walker

Stuart Dorsett

Samantha Morton

Samantha Morton

Olivia Pitterson

Steve Buscemi

Steve Buscemi

Dale Martin

Dale Soules

Dale Soules

Cashier

Court is in session

Put The Messenger on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.