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Trailer Park Boys: Countdown to Liquor Day

Trailer Park Boys: Countdown to Liquor Day

Comedy · Crime · 2009

Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that's what they've told the parole board. But when they arrive back at the park, they find it's not the same old Sunnyvale - and it's not the same old Jim Lahey, Trailer Park Supervisor.

Movie details

Trailer Park Boys: Countdown to Liquor Day

“The only difference between you and them is a coupla drinks.”

2009 Comedy · Crime 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that's what they've told the parole board. But when they arrive back at the park, they find it's not the same old Sunnyvale - and it's not the same old Jim Lahey, Trailer Park Supervisor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trailer Park Boys: Countdown to Liquor Day?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Clattenburg

Written by

John Paul Tremblay · Timm Hannebohm · Robb Wells · Mike Clattenburg

John Paul Tremblay

John Paul Tremblay

Julian

Robb Wells

Robb Wells

Ricky

Mike Smith

Mike Smith

Bubbles

John Dunsworth

John Dunsworth

Jim Lahey

Lucy Decoutere

Lucy Decoutere

Lucy

Patrick Roach

Patrick Roach

Randy

Jonathan Torrens

Jonathan Torrens

J-Roc

Court is in session

Put Trailer Park Boys: Countdown to Liquor Day on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.