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Fat Man and Little Boy

Fat Man and Little Boy

Drama · History · War · 1989

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

Movie details

Fat Man and Little Boy

“The story of the extraordinary people who changed our world.”

1989 Drama · History · War 2h 7m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fat Man and Little Boy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roland Joffé

Written by

Bruce Robinson · Roland Joffé

Paul Newman

Paul Newman

Gen. Leslie R. Groves

Dwight Schultz

Dwight Schultz

J. Robert Oppenheimer

Bonnie Bedelia

Bonnie Bedelia

Kitty Oppenheimer

John Cusack

John Cusack

Michael Merriman

Laura Dern

Laura Dern

Kathleen Robinson

Ron Frazier

Ron Frazier

Peter de Silva

John C. McGinley

John C. McGinley

Richard Schoenfield

Court is in session

Put Fat Man and Little Boy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.