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Eye of the Tiger

Eye of the Tiger

Action · Drama · 1986

Buck is a Vietnam vet, recently released from prison. He returns home to discover the town being terrorized by a vicious motorcycle gang. When the bikers murder his wife and traumatize his daughter, Buck and his friends arm themselves to the teeth and wage war against the gang to destroy them once and for all.

Movie details

Eye of the Tiger

“'Nam was hell... Prison unbearable... But coming home meant murder.”

1986 Action · Drama 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Buck is a Vietnam vet, recently released from prison. He returns home to discover the town being terrorized by a vicious motorcycle gang. When the bikers murder his wife and traumatize his daughter, Buck and his friends arm themselves to the teeth and wage war against the gang to destroy them once and for all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Eye of the Tiger?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard C. Sarafian

Written by

Michael Thomas Montgomery

Gary Busey

Gary Busey

Buck Matthews

Yaphet Kotto

Yaphet Kotto

J.B. Deveraux

Seymour Cassel

Seymour Cassel

Sheriff

Denise Galik

Denise Galik

Christie Matthews

Kimberlin Brown

Kimberlin Brown

Dawn

Judith Barsi

Judith Barsi

Jennifer Matthews

Bert Remsen

Bert Remsen

Father Healey

Court is in session

Put Eye of the Tiger on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.