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I Walk Alone

I Walk Alone

Drama · Crime · 1947

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

Movie details

I Walk Alone

“Once I trusted a dame... now I Walk Alone”

1947 Drama · Crime 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Walk Alone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Mask of Dimitrios

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White Heat

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Names above the title

The people responsible.

Directed by

Byron Haskin

Written by

Charles Schnee

Burt Lancaster

Burt Lancaster

Frankie Madison

Lizabeth Scott

Lizabeth Scott

Kay Lawrence

Kirk Douglas

Kirk Douglas

Noll "Dink" Turner

Wendell Corey

Wendell Corey

Dave

Kristine Miller

Kristine Miller

Alexis Richardson

George Rigaud

George Rigaud

Maurice

Marc Lawrence

Marc Lawrence

Nick Palestro

Court is in session

Put I Walk Alone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.