“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

2:22
Science Fiction · Mystery · Thriller · 2017
Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.
2:22
“To save their future, he must fight his fate.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over 2:22?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Paul Currie
Written by
Todd Stein · Nathan Parker
Put 2:22 on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






