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Cardcaptor Sakura: The Movie

Cardcaptor Sakura: The Movie

Fantasy · Animation · Adventure · 1999

Sakura Kinomoto, a Card Captor, wins a game of chance and is awarded a trip to Hong Kong, along with her best friend Tomoyo and her rival, Syaoran Li. It turns out that the ancient rival of Clow Reed, the creator of the mysterious and powerful Clow Cards, summoned them, and she's out for revenge. A battle ensues, and secrets are revealed about Clow Reed's shady past and Sakura's connection to him.

Movie details

Cardcaptor Sakura: The Movie

1999 Fantasy · Animation · Adventure 1h 21m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

Sakura Kinomoto, a Card Captor, wins a game of chance and is awarded a trip to Hong Kong, along with her best friend Tomoyo and her rival, Syaoran Li. It turns out that the ancient rival of Clow Reed, the creator of the mysterious and powerful Clow Cards, summoned them, and she's out for revenge. A battle ensues, and secrets are revealed about Clow Reed's shady past and Sakura's connection to him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cardcaptor Sakura: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Morio Asaka

Written by

Nanase Okawa

Sakura Tange

Sakura Tange

Sakura Kinomoto (voice)

Aya Hisakawa

Aya Hisakawa

Kero (voice)

Junko Iwao

Junko Iwao

Tomoyo Daidouji (voice)

Motoko Kumai

Motoko Kumai

Shaoran Li (voice)

Tomokazu Seki

Tomokazu Seki

Touya Kinomoto (voice)

Megumi Ogata

Megumi Ogata

Yukito Tsukishiro (voice)

Yukana

Yukana

Meilin Li (voice)

Court is in session

Put Cardcaptor Sakura: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.