“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

A Night in Casablanca
Comedy · 1946
The Marx Brothers are employed at a hotel in postwar Casablanca, where a ring of Nazis is trying to recover a cache of stolen treasure.
A Night in Casablanca
“100 Girls! 1,000 Scenes! 10,000 Laffs!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
The Marx Brothers are employed at a hotel in postwar Casablanca, where a ring of Nazis is trying to recover a cache of stolen treasure.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over A Night in Casablanca?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Archie Mayo
Written by
Roland Kibbee · Joseph Fields
Put A Night in Casablanca on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






