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Platinum Blonde

Platinum Blonde

Comedy · Romance · 1931

Ann Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.

Movie details

Platinum Blonde

“She Was Gorgeous - He Was A Man . . . So, the other girl had to wait !”

1931 Comedy · Romance 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Ann Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Platinum Blonde?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Capra

Written by

Harry Chandlee · Douglas W. Churchill

Jean Harlow

Jean Harlow

Ann Schuyler

Robert Williams

Robert Williams

Stewart Smith

Loretta Young

Loretta Young

Gallagher

Halliwell Hobbes

Halliwell Hobbes

Smythe

Reginald Owen

Reginald Owen

Dexter Grayson

Louise Closser Hale

Louise Closser Hale

Mrs. Schuyler

Don Dillaway

Don Dillaway

Michael Schuyler

Court is in session

Put Platinum Blonde on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.