“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The Target
Thriller · Action · 2014
At the same time as murder suspect Yeo-hoon is brought unconscious to the emergency room following a shooting incident, an assailant breaks into the house of Tae-jun, the emergency room's doctor in charge, and kidnaps his wife. The kidnapper calls the doctor and tells him to bring Yeo-hoon to him. To retrieve his wife, Tae-jun has no option but to save the patient and sneak him away before the police can notice.
The Target
“The hunt is on.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
At the same time as murder suspect Yeo-hoon is brought unconscious to the emergency room following a shooting incident, an assailant breaks into the house of Tae-jun, the emergency room's doctor in charge, and kidnaps his wife. The kidnapper calls the doctor and tells him to bring Yeo-hoon to him. To retrieve his wife, Tae-jun has no option but to save the patient and sneak him away before the police can notice.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Target?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Auteur Devotee
“You watch the director, not the movie.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Chang
Written by
Jeon Cheol-hong · Jo Seong-geol
Put The Target on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.






